Wacom SD-311E User Manual download pdf (Page 106)

COMPUTER VIDEO

MATROX

1127

MXO2

(212) 444-6601• 1-800-947-9901• Quick Dial 831

Complete Portable I/O for Mac

The first truly complete portable I/O device for the Mac, the MXO2 is

lightweight, fits in your laptop bag, and runs for hours on a field

battery or the or the included AC adapter. It lets you work seamlessly

in any format you want. Designed to streamline editing workflow

with Apple Final Cut Studio and Adobe CS3 Production Premium on

MacBook Pros and Mac Pros, the MXO2 provides broadcast-quality

input/output, monitoring, and up/down/cross conversion. Users can benefit from file-based workflows with native

support for XDCAM, XDCAM HD, XDCAM EX, and P2. In addition, they are not limited to using a single codec as with some

other I/O devices on the market.

FEATU R E S

Truly Portable

◆ The first truly portable I/O device for the

Mac.

It fits easily into your laptop bag and can

run

off standard field batteries or the included

AC adapter. It connects to your MacBook Pro

via Apple’s ExpressCard/34 slot or to your

Mac Pro via a PCI Express adapter card.

HD and SD Inputs/Outputs

◆ Features a full complement of professional

inputs and outputs. RS-422 machine control

is provided for frame-accurate capture and

print-to tape with Final Cut Pro and Adobe

Premiere Pro. Up to five user selectable

simultaneous video outputs, HD and/or SD

on HDMI, SDI, and analog are supported.

– Video inputs include HD/SD-SDI, analog com-

ponent HD, composite, S-Video and HDMI

– Audio inputs include two XLR-balanced, two

RCA unbalanced, two AES/ABU, SDI and

HDMI embedded (up to 8 channels).

– Video outputs include two HD/SD-SDI,12-bit

analog component,12-bit composite, and

S-Video, one HDMI.

– Audio outputs include four XLR-balanced,

six RCA unbalanced for surround sound

monitoring, two AES/ABU, SDI and HDMI

embedded (up to 8 channels).

◆ The MXO2 provides SD analog black burst

(bi-level) or HD tri-level sync genlock. It can

genlock to any type of video input or to

house sync. Timing offset controls can be

used to align your video output relative to

your external genlock source to compensate

for cable delays within your facility.

Flexible Workflows

The MXO2 gives you a wide range of workflow

possibilities by providing frame-accurate

capture via RS-422 deck control to a variety of

codecs including:

• ProRes 422 • ProRes 422 HQ

• DV • DV50 • DVCPRO • DVCPRO HD

• Uncompressed HD/SD (8- and10-bit)

• Offline RT

◆ Work with file-based formats such as

XDCAM, and P2 on your timeline.

HD and SD Monitoring

◆ The MXO2 turns your HDMI monitor into a

true-color video display you can trust, even

for color grading. It’s packed with features

that make it the ideal monitoring solution for

Final Cut Pro, Adobe Premiere Pro, and other

QuickTime-based applications. No need to

buy expensive HD monitoring equipment. In

addition, realtime downscaling feature lets

you view your HD projects on an SD monitor.

◆ Adjust and control your HDMI monitor

exactly like you would a broadcast HD

monitor. Controls for hue, chroma, contrast

and brightness are provided. Also has a

Blue-only mode to gives you completely

accurate color representation.

◆ Provides 1:1pixel mapping on HDMI monitors

that support this feature. You get accurate

monitoring on your HDMI display in the

following resolutions: 720 x 486 (NTSC),

720 x 576 (PAL), 1280 x 720 and 1920 x 1080.

Audio Monitoring

◆ Provides built-in 5.1 surround sound moni-

toring via RCA and HDMI so you don’t have

to buy more equipment. The MXO2 also lets

you map any audio track in Final Cut Pro or

Adobe Premiere Pro to any audio output.

Realtime Hardware Conversion

◆ Provides realtime HD to SD downscaling.

Proper conversion of the HD color space to

the SD color space and proper aspect ratio

conversion to anamorphic, letterbox, and

center cut are supported.

◆ Provides realtime SD to HD upscaling with

proper conversion of the SD color space to

the HD color space.

◆ Offers realtime cross conversions from 720

to 1080 and 1080 to 720. Realtime frame

rate conversion is also supported with the

following cadences – 2:3:2:3, 2:3:3:2, and

2:2:2:4. It also facilitates monitoring when,

for example, you need to work with 23.98 fps

footage but your monitor does not support

that frame rate. You can use MXO2’s realtime

frame rate conversion to view your project

at 29.97 fps.

Final Cut Pro Acceleration

◆ In Dynamic RT editing mode, Final Cut Pro

automatically reduces frame size to let you

preview non-realtime segments of a project

at a better frame rate. The MXO2 hardware

upscaler accelerates these segments to their

original frame size saving processing power

for other Final Cut Pro operations, so you get

better realtime performance.

Mfr # MXO2

B&H # MAMXO2

1 2 ... 101 102 103 104 105 106 107 108 109 110 111 ... 123 124

Comments to this Manuals

No comments

Wacom SD-311E User Manual Page 106

Comments to this Manuals