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HD/SD Broadcast Video Card
The new DeckLink HD Extreme is the most advanced capture card ever built.
Now you can afford the incredible quality of HD at SD prices. The ideal solution
for connecting to any camera, deck or monitor, DeckLink HD Extreme features
both SDI and analog I/O connections that instantly switch between HD and SD
video. Plus, it offers HDMI capture and playback, 3 Gb/s SDI support, and 3D
lookup tables. Use with the latest PCI Express Mac and Windows computers for
the world’s highest quality editing, effects and broadcast paint solution.
Supporting the highest quality10-bit SDI video, and14-bit analog video,
DeckLink HD Extreme connects to any video equipment in both HD or SD, as well
as SDI and analog.
In addition to support
for10-bit uncompressed video, the card also features broadcast-quality HD to SD downconversion and its 4:2:2 SDI
connectivity delivers superior chromakey performance. The card can work with both Windows and Mac OS X computers,
making it an excellent choice for your editing needs regardless of your operating platform.
DeckLink HD Extreme features a dozen independently regulated power supplies integrated into the card to eliminate
interference from the computer’s power supply getting into delicate analog video and audio. It also features incredibly
wide band filtering for eliminating noise and SDI jitter, so even if you upgrade your computer in the future with increased
computer clock speeds, your investment is protected.
COMPUTER VIDEO
BL AC K M AG I C D E S I G N
1090
DECKLINK HD EXTREME
www.bhphotov ideo.com
FEATU R E S
Connect to Anything
DeckLink HD Extreme is the only solution that
connects to SDI, HDMI, component analog,
NTSC/PAL and S-Video equipment for capture
and playback, while instantly switching
between SD, HD and 2K. DeckLink HD Extreme
includes 2 channels of AES/EBU audio in and
out with a sample rate converter on the
AES/EBU input as well as 2 channels of XLR
professional analog audio in and out. Work
with the widest range of equipment, such as
HDCAM, HD-D5, HDCAM SR, Betacam SP,
Digital Betacam, HD receivers, HDV cameras,
televisions, mixers and more
More HD Real Time Effects
DeckLink HD Extreme’s super fast 10 Gb/s
connection plugs directly into your editing
software’s real time effects processing. Unlike
FireWire products, you get all CPU time for real
time effects, so only PCI Express lets you
upgrade to HD without limiting real time
effects. The higher speed of PCI Express also
handles advanced formats such as full
resolution 2K digital film. Only the high speed
PCI Express ensures that when you upgrade to
high definition, you get full real time effects.
10-Bit SDI Capture/Playback
DeckLink HD Extreme supports true10-bit SDI
uncompressed video capture and playback for
better quality than any other system at any
price. Ideal for high end broadcast decks,
uncompressed 10-bit is the highest quality
possible from the SDI system. The Blackmagic
codec allows16-bit RGB per channel rendering
preserving the quality of 10-bit video.
HDMI Input/Output
Full resolution HDMI input and output lets you
connect to any HDMI television or video
projector for full HD resolution monitoring at
much lower cost than a dedicated HD broad-
cast monitor. Unlike FireWire capture, using
the HDMI output of consumer cameras means
you get the highest quality uncompressed
video from the camera, or you can use the
native compression of your editing software,
such as uncompressed, JPEG, DVCPRO HD, and
ProRes. Unlike FireWire compression, using the
native compression of your editing software,
combined with high speed 10 Gb/s PCI Express
gives you all CPU time for maximum real time
effects playback direct to large screen displays
and broadcast monitors.
Flexible File Formats
Select from the highest quality 10-bit
uncompressed and 8-bit uncompressed
capture and playback. When used on Mac
OS X, DeckLink includes support for DV, ProRes
4222, JPEG, DVCPRO HD and HDV compressed
video formats. On Windows, you can choose
between AVI and QuickTime file formats and
even play back TARGA and BMP image
sequences in the Premiere Pro timeline in
real time. Uncompressed QuickTime files can
be freely moved between Mac OS X and
Windows systems.
Down Conversion
and Real Time Effects
When running on Mac OS X DeckLink cards
feature broadcast quality down conversion
and is deal for mastering HD edits to SD.
DeckLink HD Extreme uses custom poly-phase
interpolation and filter processing for
incredible quality conversion at the highest
10-bit precision. DVCPRO-HD multi-layer
editing in Mac OS X with Final Cut Pro can
also be downconverted and played out in
standard definition, even when running
complex multi-layer HD real time effects.
- ProfessionalVideo 2
- 12 INCH DESIGN 3
- Creation Software 7
- Superb Color Correction 8
- Extensive Visual Effects 8
- Graph Editor 8
- Masking and Keying Tools 8
- COMPUTER VIDEO 10
- PREMIERE PRO CS3 11
- Broad Format Support 13
- Hardware Support 13
- Deliver Everywhere 13
- ILLUSTRATOR CS3 14
- FLASH CS3 PROFESSIONAL 15
- Powerful Animation Tools 16
- ActionScript Development 16
- Adobe Integration 16
- PHOTOSHOP CS3 EXTENDED 17
- Unrivaled Editing Power 18
- Adobe Bridge CS3 19
- CS3 PRODUCTION PREMIUM 20
- Applications 21
- Highly Efficient Integration 21
- KONA Desktop 23
- Optional Breakout Box 23
- KONA LHE • KONA LH 24
- Dual Link 25
- Broadcast-Quality Conversion 25
- KONA 3 • KONA 3X 26
- AJA Machina 27
- Step-up Features 28
- XENA/2KE 29
- D-SERIES MINIATURE CONVERTERS 33
- C10-Series Power Supplies 37
- FR1 • FR2 39
- R-SERIES 40
- BREAKOUT CHART 42
- PROCESSING POWER 43
- OS X LEOPARD 45
- MAC PRO SYSTEMS 46
- MACBOOK PRO 47
- FINAL CUT EXPRESS 4 48
- FINAL CUT STUDIO 2 49
- Wide Format Support 50
- Cinema Tools 4 for Film 50
- / FINAL CUT PRO 6 51
- Incredible Real-Time Effects 51
- Comprehensive Editing Tools 51
- The Hub of Final Cut Studio 2 52
- Open, Extensible Architecture 52
- FINAL CUT STUDIO 2 / MOTION 3 53
- Intuitive Task-Based Workflow 54
- / DVD STUDIO PRO 4 55
- / COMPRESSOR 3 55
- Unified 2D/3D Compositing 57
- SHAKE 4.1 58
- Open Timeline 59
- HD Support 59
- MEDIA COMPOSER 60
- Effects & Compositing 61
- Streamlined Workflows 61
- Superior Media Management 61
- AUTO M AT I C D U C K 63
- Import from Avid 64
- Import from Pro Tools 64
- Import from Story Board Pro 64
- INTENSITY • INTENSITY PRO 65
- DECKLINK SD SERIES 66
- Replacement Breakout Cables 68
- DECKLINK HD EXTREME 69
- DeckLink HD Pro 70
- World’s Highest Quality 71
- MINI CONVERTERS 74
- HDLINK • HDLINK PRO 75
- BORIS FX 79
- BORIX FX 80
- INTEGRATION AND PRODUCTIVITY 82
- COMPOSITING 82
- GRAPHICS AND TITLING 82
- TEXT AND PAGE FORMATTING 82
- Natural Filters 84
- Paint Engine 84
- 2D and 3D Animated Charts 84
- Bump Maps 84
- Cineform Workflow 89
- CINEFORM 90
- DIGIEF F E C T S 91
- CO N TOUR DESIGN 93
- FOCUS ENHANCEMENTS 93
- Speed Without Limits 94
- Any Format In/Out 94
- Local/Networked Watch Folders 94
- Queue Management 94
- EDIUS Neo XL 95
- Nested Timeline Sequences 96
- Multi-Format Support 96
- Multicam Editing Mode 96
- User Interface 97
- Additional Features 98
- CORE 2 QUAD 99
- MCS-3800 101
- MCS-3400 101
- MCS-3000 101
- J L CO O P E R 102
- Professional Realtime HD 103
- Editing for Adobe CS3 103
- Complete Portable I/O for Mac 106
- FireWire Video Interface 107
- Live Switching 109
- Digital Disk Recorder 109
- Video Monitors 109
- NE W TE K 110
- SDI I/O Expansion Card 112
- What is a Look? 113
- RED GIANT 114
- VEGAS PRO 8 119
- Capture, Import and Export 122
- SORENSON 123
- FIN A L D R AF T 124
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